消逝的木构

冀少峰个照 在傅中望身上有着很多固化的标签和光环，比如他的《榫卯》系列所彰显出的原创品质及作品背后所弥漫着的关系与关系的思考，而他于798的“开物”个展所引起的震荡一直成为今天艺术界津津乐道的话题。时至今日，人们热议的“武汉现象”“武汉的当代艺术又火起来”的诸多声音，很显然是和傅中望有着密切的关联，这就是一个区域美术馆在构建区域文化的繁盛与发展方面所表现出的不可替代的作用。作为湖北美术馆的首任馆长，在他身上体现出了一个美术馆人的责任意识、奉献精神和学术眼光。在他的带领下，湖北美术馆成为文化部首批国家重点美术馆之一。他开创性地集四年时间按国、油、版、雕、水彩分类对湖北区域的美术发展进行了带有艺术史性质的钩沉和梳理，进而形成了“百年纵横：20世纪湖北美术文献展”，从而完成了美术馆由美术展览馆向美术博物馆的转型。为了提高知识服务质量，在原创品牌展览上，他提出了“三个三年展，一个固定陈列展，一个年度展，一个美术馆论坛”的战略构想，从而使“大漆世界：湖北国际漆艺三年展”“工业版画三年展”“美术文献三年展”“三官殿1号艺术展”展览构架充实与完善，也使美术馆走入了越来越广阔的公共空间。而湖北美术馆论坛单年以美术批评、关注美术界的动态热点及批评问题，双年则对美术馆系统问题展开研讨。2014年的“展陈与观看”，2015年则以“85美术史实考据”为主题，均在艺术界留下了很深的印象。在文化交流方面，阿涅斯·瓦尔达、迈克尔·克雷格·马丁、肖恩·斯库利等著名艺术家的展览、法国雷诺系列收藏展等先后在湖北美术馆展出。从中不难发现，一个美术馆的经历与历史就是这样产生的。而当代活跃的艺术家，魏光庆、丁乙、方力钧，不约而同把自己的个展选择在湖北美术馆，从中亦可发现美术馆得到艺术家在专业上的认同。如果没有傅中望在学术上的把握和专业上的坚持，没有湖北美术馆在展览服务上的优质与高效，这一切是很难实现的。难能可贵的是，傅中望不仅在美术馆专业系统上提出并实施了很多构想，更在人才队伍上进行了前瞻性的合理化建设，从而能够形成一个充满着人文精神关爱和情怀并能深得艺术界信赖的工作团队，而一个专业化的工作团队在今天越来越成为美术馆未来的一个核心竞争力。 这些光环标签之后，傅中望还有一个鲜为人知的身份：他是一位优秀的美术教育工作者。他为人处世低调含蓄与才情内敛，他在教学上的宽容、包容与兼容精神，深深影响着一代又一代学生。他对学生和后辈的影响并不是某种风格和技巧，而是自由创造的精神，他用自己的为人之道，从艺经验，建构起了一种生活方式——行云流水般的潇洒，不媚俗，不媚权，特立独行，他自信，开阔，包容，力量柔韧而长远。在艺术上受其影响的晚辈和受教于他的青年学生：史金淞、华韡华、贺棣秋、宋建树、王思顺、项祎、叶晓东、徐江明、汪甜、李有维、张振、邵璇、廖茹琼……这些同质当中又有着鲜活而又差异化的视觉讲述，他们以一种明显的师承和代际关系，不同代际迥异的文化认知和批判精神，以介入社会的态度去介入现实进而表达出自我对当代社会和艺术人生的激情讲述和洞察性表达。他们不断拓展自己的领域和空间，进而创造出一种新的空间关系，在同质性中去寻觅、发现、构想、改造进而创造出一种新的异质化的视觉经验。而对于置身消费社会的艺术青年而言，都市化消费社会的深层病态亦成为学术母题。而日常化的生存经验、陌生化的视觉体验及永远变动的生存状态，使他们的视觉讲述又都浸润着底层文化视角和边缘文化身份认同，折射出了文化关注点和精神指向的不同。 他们差异化的视觉讲述背后，及他们的生活经历、人生阅历、师承关系，从某种意义上就是一部鲜活的当代艺术发展史。期间的风格与样式、交游与师承，不仅表达出了丰富的人性、社会性，更从他们的个人叙事和不间断努力中，带给阅读者的是一个别样的在当代雕塑界的“傅家军”形象。毕竟，傅中望以一种独特的魅力和榜样的力量，深深感染着并激励着一代代艺术青年，激发着他们对当代艺术的一种无尽的想象…… 因为我也深深地被傅中望激励着，感染着…… There are a lot of cured labels and auras in Fu Zhongwang， such as the original quality highlighted in his "Mortise and Tenon Joint" series and the reflection over relationships diffuse behind the works. The sensation caused by his solo exhibition of "Heavenly Creations" held in 798 has always been a quotable topic in today' s art circles. Even to this day， the much discussed topics of "Wuhan phenomenon" and "Wuhan contemporary art booms again" are clearly closely linked with Fu Zhongwang. This is exactly the irreplaceable role of a regional art museum in the prosperity and development of regional culture. As the first director of Hubei Museum of Art， he embodies the sense of responsibility，dedication spirit and academic vision of an art museum staff. Under his leadership， Hubei Museum of Art becomes is among the first batch of key art museums of approved by Ministry of Culture. He was the first person to spend four years to trace and comb the art history of fine art development in Hubei in categories of Chinese painting， oil painting， print， carving and watercolor and held "A Documentary Exhibition of Art in 20th-Century Hubei"， thus realizing the transformation of Hubei Museum of Art from art exhibition hall to art museum. In order to improve the quality of knowledge services， he put forward the strategic concept of "three triennials， a fixed exhibition， an annual exhibition and an art museum forum" in the field of original exhibition. In this way， "World of Lacquer∶ Hubei International Lacquer Triennial"， "Triennial of Chinese Industrial Art Prints"， "Triennial of Fine Arts Literature" and "Sanguandian 1# Art Exhibition" were enriched and improved， and Hubei Museum of Art also entered a broader public space. The Forum of Hubei Museum of Art discusses art criticism， dynamic hot issues and critical issues in art circles in odd-numbered years， and discusses topics of art museum systems in even-numbered years. The "Exhibition and Appreciation" in 2014 and "Truth and Facts about '85 New Wave in China" in 2015 both left a deep impression in art circles. In terms of cultural exchange， exhibitions of famous artists such as Agnès Varda， Michael Craig Martin and Sean Scully， and French Renault Art Collection were successively held in Hubei Museum of Art. It' s not difficult to find that the experience and history of an art museum is generated in this way. Contemporary active artists such as Wei Guangqing， Ding Yi and Fang Lijun invariably hold their solo exhibitions in Hubei Museum of Art， which demonstrates that the museum is recognized by professional artists. Without Fu Zhongwang' s academic grasp and professional insistence， Hubei Museum of Art would not have high quality and efficiency in exhibition service. It is commendable that Fu Zhongwang not only put forward and implemented a lot of ideas in the professional system of art museum， but also carried out prospective and rationalized construction of talent team to build a work team which is full of humanistic spirit and care and can be trusted by the art world. A professional work team is increasingly a core competitiveness of the museum' s future. Behind all these auras and labels， Fu Zhongwang also has a little-known identity∶ he is an outstanding art educator. He is low-key and implicit with talents introverted. His tolerance， forgiveness and compatibility spirit in teaching profoundly influence generations of students. His impact on his students and the younger generations lies in the spirit of free creation， rather than some kind of style or technique. He has constructed a lifestyle with his personality， behaviors and artistic experience - an unrestrained life comparable to the floating clouds and flowing water， insisting on his own way without any worship of vulgarity or power. He is confident and broad-minded with inclusiveness and enduring younger generation who are artistically influenced him and his young students include∶ Shi Jinsong， Hua Weihua， He Diqiu，Song Jianshu， Wang Sishun， Xiang Yi， Ye Xiaodong， Xu Jiangming， Wang Tian， Li Youwei， Zhang Zhen， Shao Xuan， Liao Ruqiong… There are fresh and differentiated visual narrations in the homogeneity. They have an obvious succession of teachings from the teacher and intergenerational relations， as well as different cultural awareness and critical spirit of different generations. They intervene in the reality with an attitude to intervene in society， thus express their passionate narrative and insightful voice about contemporary society and artistic life. They keep expanding their own areas and space， and then create a new spatial relationship. They seek， find， conceive， transform and create a new heterogeneous visual experience in homogeneity. And for young artists in consumer society， the deep pathosis of urbanized consumer society has also become an academic subject. The daily survival experience， unfamiliar visual experience and the ever-changing living condition make their visual narration infiltrated with the bottom cultural perspective and marginal cultural identity，which reflects the difference between cultural concerns and spiritual orientations. Behind their differentiated visual narrations， their living history， life experience and succession of teachers， in a sense， is a vivid development history of contemporary art. The styles and patterns， contact and teachers， not only show rich human nature and sociality， but also show the audiences a different image of "Fu Army" in contemporary sculpture with their personal narrative and uninterrupted efforts. After all， Fu Zhongwang， with a unique charm and strength of example， deeply infects and inspires generations of young artists，motivating their endless imagination about contemporary art… For I' m also deeply inspired and infected by Fu Zhongwang…

文章来源：《美术文献》 网址: http://www.mswxzz.cn/qikandaodu/2020/0912/527.html